Roland Dyens (born October 19, 1955 in Tunisia) began to learn playing guitar at the age of 9. Over the years I’ve reviewed a lot of his material and always thought that he was a highly remarkable and fascinating writer for the guitar. Carinhoso - Arranj. He was scheduled to perform in the Omni series on November 11, 2017. Photo Credit (top of page) – By Hans Bernhard (Schnobby) – Own.
| 'A Night in Tunisia' | |
|---|---|
| Instrumental by Dizzy Gillespie & His Sextet | |
| Released | 1942 |
| Recorded | 1942 |
| Genre | Jazz, bebop[1] |
| Composer(s) |
|
- Roland Dyens - A Night in Tunisia Dizzy Gilespie, arr. Desdichado Les dejo: 10000 Partituras para. In case youre still wondering if Roland Dyens is one of the most crazy guitarist on Earth, heres part of an argumentary.There is a touch of the magician in Roland Dyens. Roland Dyens was born in Tunisia, North Africa, in.
- The economy of Tunisia is in the process of being liberalized after decades of heavy state direction and participation in the country's economy. Prudent economic and fiscal planning have resulted in moderate but sustained growth for over a decade. Tunisia's economic growth historically has depended on oil, phosphates, agri-food products, car parts manufacturing, and tourism.
'A Night in Tunisia' is a musical composition written by Dizzy Gillespie around 1941–42 while Gillespie was playing with the Benny Carter band. It has become a jazz standard.
It is also known as 'Interlude',[2] Gillespie called the tune 'Interlude' and said 'some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song.[3][3] 'A Night in Tunisia' was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.
Strings By Mail Roland Dyens Night and Day - We're sorry, this product is no longer available. Keygen tool download. 10 Jazz Arrangements for solo guitar Complete with Roland's. Roland Dyens - Lettre Noire by Vabejas. From Guitar Masterclass 8 years ago in Classical Guitar 5,125 views. Roland Dyens - A Night in Tunisia by GuitarTube Duration: 04:51. Tango En Sky by Roland Dyens - author performance by Guitar Masterclass Duration: 02:51. 'A Night in Tunisia'is a musical composition written by Dizzy Gillespie around 1941–2 while Gillespie was playing with the Benny Carter band. It has become a jazz standard. It is also known as 'Interlude', Gillespie called the tune 'Interlude' and said 'some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York.
On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: 'At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can.' The audience laughs, but Blakey responds, 'Seriously.' The liner notes say, 'The Texas department of sanitation can take a low bow.'
Analysis[edit]
The complex bass line in the 'A section' is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard 'Alone Together, ' causing the V chord to lead back into the Sub V of the A section.
A Night In Tunisia Guitar Tab
Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections — in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
Cover versions[edit]
- Art Blakey with Lee Morgan, A Night in Tunisia (1960)[4]
- Clifford Brown, The Beginning and the End (1955)[4]
- Bill Evans and Tony Scott
- Dexter Gordon with Bud Powell, Our Man in Paris (1963)[4]
- Donald Harrison, Real Life Stories (2001)[4]
- Hugh Masekela, I Am Not Afraid
- Bobby McFerrin with The Manhattan Transfer featuring Jon Hendricks
- Fats Navarro (1950)[4]
- Charlie Parker and Dizzy Gillespie, Jazz at Massey Hall (1953)[4]
- Bud Powell (1951)[4]
- Boyd Raeburn with Dizzy Gillespie, 1945[4]
- Sonny Rollins, A Night at the Village Vanguard (1957)[4]
- Sarah Vaughan, 1944[4]
- Red Garland, Auf Wiedersehen (1975)
- Mary Lou Williams, Live at the Keystone Korner (1977)[4]
References[edit]
- ^Porter, Eric (31 January 2002). What Is This Thing Called Jazz?: African American Musicians as Artists, Critics, and Activists. University of California Press. pp. 74–. ISBN978-0-520-92840-4. Retrieved 14 October 2018.
- ^'Night in Tunisia' at jazzstandards.com. Accessed 10 January 2008.
- ^ abGillespie, Dizzy (2009). To Be, or Not – to Bop. University of Minnesota Press. pp. 171–172. ISBN978-0-8166-6547-1. Retrieved 14 October 2018.
- ^ abcdefghijkGioia, Ted (2012). The Jazz Standards: A Guide to the Repertoire. New York City: Oxford University Press. p. 299–300. ISBN978-0-19-993739-4.
| 'A Night in Tunisia' | |
|---|---|
| Instrumental by Dizzy Gillespie & His Sextet | |
| Released | 1942 |
| Recorded | 1942 |
| Genre | Jazz, bebop[1] |
| Composer(s) |
|
'A Night in Tunisia' is a musical composition written by Dizzy Gillespie around 1941–42 while Gillespie was playing with the Benny Carter band. It has become a jazz standard.
It is also known as 'Interlude',[2] Gillespie called the tune 'Interlude' and said 'some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song.[3][3] 'A Night in Tunisia' was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.
On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: 'At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can.' The audience laughs, but Blakey responds, 'Seriously.' The liner notes say, 'The Texas department of sanitation can take a low bow.'
Analysis[edit]
The complex bass line in the 'A section' is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard 'Alone Together, ' causing the V chord to lead back into the Sub V of the A section.
Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections — in this case, a twelve-bar sequence leading into a four-bar break for the next soloist. Borderlands 2 goty repack mr dj turn. Toontrack metal machinery.
Cover versions[edit]
- Art Blakey with Lee Morgan, A Night in Tunisia (1960)[4]
- Clifford Brown, The Beginning and the End (1955)[4]
- Bill Evans and Tony Scott
- Dexter Gordon with Bud Powell, Our Man in Paris (1963)[4]
- Donald Harrison, Real Life Stories (2001)[4]
- Hugh Masekela, I Am Not Afraid
- Bobby McFerrin with The Manhattan Transfer featuring Jon Hendricks
- Fats Navarro (1950)[4]
- Charlie Parker and Dizzy Gillespie, Jazz at Massey Hall (1953)[4]
- Bud Powell (1951)[4]
- Boyd Raeburn with Dizzy Gillespie, 1945[4]
- Sonny Rollins, A Night at the Village Vanguard (1957)[4]
- Sarah Vaughan, 1944[4]
- Red Garland, Auf Wiedersehen (1975)
- Mary Lou Williams, Live at the Keystone Korner (1977)[4]
References[edit]
- ^Porter, Eric (31 January 2002). What Is This Thing Called Jazz?: African American Musicians as Artists, Critics, and Activists. University of California Press. pp. 74–. ISBN978-0-520-92840-4. Retrieved 14 October 2018.
- ^'Night in Tunisia' at jazzstandards.com. Accessed 10 January 2008.
- ^ abGillespie, Dizzy (2009). To Be, or Not – to Bop. University of Minnesota Press. pp. 171–172. ISBN978-0-8166-6547-1. Retrieved 14 October 2018.
- ^ abcdefghijkGioia, Ted (2012). The Jazz Standards: A Guide to the Repertoire. New York City: Oxford University Press. p. 299–300. ISBN978-0-19-993739-4.
Tunisia has been passing by a deep and difficult economic slump since 2011, when the autocratic leader Zine El-Abidine Ben Ali was overthrown. The International Monetary Fund urged Tunisia to raise the retirement age and prices of energy to help decrease the deficit. Thereby, the country had to increase 4% fuel prices, for the third time this year.
With these attitudes, Tunisia is trying to reduce the budget deficit to 4.9 percent of gross domestic product in 2018, from about 6 percent in 2017. To reach the government’s Five-Year Development Plan 2016-20 and improve the economic situation, The Investment, Competitiveness and Inclusion Development Policy Framework was created to help.
Aiming to promote private investment, creating opportunities for small businesses and to increase energy security, The World Bank announced a new $500 million budget to support important reforms in Tunisia.
The main focus is to support concrete actions and simplify import/export procedures, facilitate the access of small businesses to credit and bid for government contracts, open sectors to investment, guarantee that social safety nets reach the poorest population and help build human capital, and create a greener and sustainable energy sector.
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New laws:
The implementation of the new investment laws is the beginning of the plan. This will include eliminating 27 of the 127 procedures needed to clear customs.
Government procurement will be digitized to facilitate the bid for public contracts, preparing for achieving 20% of government contracts awarded to small businesses. All the other procedures will undergo this process to make it more predictable and efficient.
“Digitizing customs procedures will mean fewer opportunities for corruption and will send a strong signal to investors that Tunisia is open for business,” said Zied Ladhari, minister of development and international cooperation.
“Along with creating opportunities for small businesses, which we know are a vital source of job creation, we also want to make sure they have access to credit by implementing the law on movable collateral. Instead of fixed collateral such as buildings or land, it will be possible to secure a loan against assets such as inventory – the only kind of assets that businesses run by young people or women tend to have,” Ladhari added.
A Night In Tunisia Roland Dyens Pdf Energy Benefits Program
Expanding microcredit access:
Improving the targeting and impact of social safety nets and expanding access to microcredit is also a goal. Better targeting will make implementation of the law increasing the size of payments to beneficiaries more feasible, besides support the linking of social programmes to better health and education outcomes.
It will be doubled the ceiling of microcredit loans, from 20,000 to 40,000 Tunisian Dinars to increase the number of potential beneficiaries. Recent university graduates and start-ups will be able to request the loan. It’s also planned to increase the microcredit volume loans from 731 million to 1,175 million Tunisian Dinars. Of this value, 600 million earmarked for women.
“Well designed social safety nets will play an important role in the government’s commitment to leaving no one behind,” said Marie Francoise Marie-Nelly, World Bank country director for the Maghreb and Malta. Marie-Nelly added: “Microcredits are especially important for people in less developed regions, who have fewer options for accessing credit.”
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Energy:
The developing of renewable energies would decrease the dependence on imported fossil fuels and promote energy security.
Recently, Tunisia requested for help to Algeria and Morocco aiming to cover the rise in energy consumption during the peak of summer. To discuss the possibility of cooperation, representatives from Morocco and Algerian had a meeting, concluding with a joint statement expressing their will to answer the Tunisian request.
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The country is willing to invest $1.8 billion in renewable energy during the next 2 years and they are planning the construction of an underwater power line from Tunisia to Italy, with the capacity of 600MW and a total cost of 600 million
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